Target:
Category:
Instrument:
Minutes On Instrument:
115
Other Participants:
Blaine O'Brien
Kaz Mogi
Notes:
Watched video of previous run, diiscussed piece.
- we all like the beginning up to the solos
- KM: not sure if end should be so short
- the more distinct solo jiuchi for each soloist seems good. More distinction?
- KB: switch to Echo groove (not sure what to name it) immediately after build? Make KM solo groove-based to further distinguish it from BO solo?
ran piece from beginning to find problem spots. Struggled with basic three-person loud suga part. Created Suga-san Drill.
next: warmup with Suga-san Drill, run piece, search for other sections to drill
Structure
- Intro
Triplets
Suga 3 on shime (1 bar)
- Build
Main groove x8
Press hits x7 w/ triplet fill
Main w/ ride x4
Mute low x4
Mute high x3 w/ triplet fill
Ka x4
Ka triplet low to high
Suga 3 w/ ride x4
modulate to Fast Suga 3 w/ ride, crescendo
Fast Suga 3 (alternating hands) x8, break - Solos
Mellow Three (inbetweens but no ride)
Mellow Tre
Blaine solo ("inbetweens", ride as gears)
Kris solo (add metal), cue with Suge3 x4
Suge3 x4
Suge3 quiet on new tones while Kaz solos
Suge3 x4
Kaz solo, cue with Suge3
Fast Suga 3 (alternating hands) x8, long break - Outro
modulate to regular Suga 3, decrescendo
Main groove x2
Mute x2
Press hits x2
Press hits high x2
Ka triplet high to low
Hands