191018-0800

Published on Fri, 2019-10-18 10:39

I feel like the OT practice is producing more gentle, meditative beats than hard rhythms.  Perhaps I should try exaggerate the two and use scenes to go between them.

191017-1559

Published on Thu, 2019-10-17 17:32

Day 2!  Still feeling inspired and having fun.

Current approach (09)

  • Intro
    16's Skim
  • (2/4 live instruments?)
  • Trigger improv
    4 bars touch-typing
    4 bars skimming
  • T1
    EQ 4 on the floor
    timestretch
    trigs: pitch, conditions, retrig
    comb: d#3
  • T2
    scale master: 128
    T2 scale 16, 3/4
    comb: F#3, C#3, B3, C#3
    comb: B5, D#6
  • T3
    comb: F#6
    delay: low pass
  • T4
    comb: E4, F#4
    delay: high pass

191016-1503

Published on Thu, 2019-10-17 16:59

First day on Naname Octa Build project.  (Starting a new project is so much more enticing than trying to finish one [Distracted Driving].)

Didn't take notes at the time but worked throughout the day.

Naname Octa Build - 99 tries

Published on Thu, 2019-10-17 16:54

After seeing Cosmo Sheldrake and altopalo, I'm going to try and make the Octatrack more "performative".  I'm giving myself 99 tries to experiment with building a bassline on Octatrack that I might be able to solo over.  I'll try to average 5 or so a day.

191005-1200

Published on Thu, 2019-10-10 16:50

Last-minute practice for Strong Words gig.  Was inspired by idea of adding story to Radiddlepa and had fun trying to make the recording match.  Wound up practicing a lot more than I would have otherwise.  Perhaps Radiddlepa should be performed with a different story each time?  If so, record the story, record Radiddlepa, and then put both of them in Audacity to chop story as needed to match.