Nanko for Kabukiza 2019
Practices toward this Target
| 190319-1202 | 20 |
| 190319-1000 | 30 |
| 190318-1449 | 19 |
| 190318-0745 | 30 |
| 180706-1000 | 60 |
| 180705-1000 | 60 |
| 180702-1000 | 60 |
| 180630-2030 | 60 |
| 180628-1000 | 55 |
| 180623-1330 | 60 |
| 180609-0900 | 60 |
| 180528-0800 | 50 |
| 180517-0900 | 40 |
| 180516-2100 | 20 |
| 180508-0748 | 45 |
| 180507-0748 | 90 |
| 180420-0848 | 40 |
| 180409-0926 | 10 |
| 180408-0800 | 55 |
| 180407-1308 | 33 |
| 180406-0830 | 40 |
| 180406-0830 | 60 |
| 180406-0830 | 35 |
| 180326-2030 | 55 |
| 180325-2030 | 60 |
| Total min. | 1,417 |
Nanko for Kabukiza 2019
Status:
Due Date:
180710
Description
Memorization and practice of Nanko (nagauta shamisen) with oozatsuma solo
Wrap-up
Being a part of the Kineya-katsu performance at Kabukiza was incredible. I remembered how fun it is to play shamisen with the ensemble, I did much better this time in my oozatsuma solo, and I realized how much it means to the other players that someone from LA goes there to perform. I was surprised how much I appreciated having Minh there... without Hiro there, or anyone else from the US, it would have felt like it didn't happen.